Day 01: Arrive in Paro and travel to Thimphu

• Altitude in Thimphu: 2,320m
• Distance: 55km
• Estimated travel time: 1.30 hrs

Welcome to Bhutan, a breathtaking Himalayan kingdom with hidden beauty. Every step you take will lead you to unique cultural experiences, intriguing stories of the past, and the magic of tranquility.

As the plane approaches Paro (2,280m), a spectacular view of the Himalayan peaks from above will be unveiled right before you. Our guide will be waiting to greet you and transport you to Thimphu. Let your adventure in Bhutan begin!

Thimphu, the largest city and capital of Bhutan, is located in the western central region of the country. It was declared the capital of the Kingdom of Bhutan by the third king, Jigme Dorji Wangchuck, in 1961 and served as the administrative and economic center of the country. While the city’s central area may have taller buildings, just outside the city limits, the landscape becomes a peaceful blue pine forest. Thimphu is a prime example of Bhutanese culture, where people are content and embrace modernity on their own terms.

The highway from Paro to Thimphu runs alongside the peaceful Pachu River, providing a glimpse into the pristine nature of Bhutan. En route, you will stop at Chuzum’s river confluence to visit Tachogang Lhakhang, also known as the Temple of the Excellent Horse. This temple is one of the most iconic works of Thangtong Gyalpo (1385-1464), a revered saint in Bhutanese culture. When you visit the temple, you will have the chance to see its famous iron bridge, which is decorated with beautiful prayer flags. Take a moment to admire the breathtaking views of the crystal-clear river and the lush greenery surrounding the temple.

Thimphu boasts a unique blend of ancient landmarks and modern restaurants and cafes. The first site you will visit in Thimphu will be the National Memorial Chorten. This impressive site was constructed as a tribute to world peace and prosperity and later transformed into a memorial to honor the Late Third King, His Majesty Jigme Dorji Wangchuck (1928-1972).

Next, you will head to the famous Tashichho Dzong (Thimphu Dzong). This majestic fortress is located on the western bank of Wang Chhu River, to the north of the city. From there, you can enjoy a breathtaking view of a cascading waterfall and terraced farmlands. The complex was originally built in 1641 and reconstructed in 1965, adding to its charm. The peaceful surroundings of lush gardens and verdant hills make this Dzong an even more tranquil and serene destination.

Later, travel to the Pangrizampa Monastery – a riverside monastery complex founded in the 16th century, to take a moderate hike to Taba. Zhabdrung Ngawang Namgyal stayed here after he arrived in Bhutan in 1616 because the temple appeared in the vision that directed him from Tibet. Now it houses Bhutan’s most important college for traditional astrology.

This is a photogenic spot, so you can admire the lovely sight of the monastery, the cantilevered bridge beside the complex, and the two huge cypress trees in front of the temple. These trees are said to be the biggest in the country. 

The hike to Taba is a fascinating and enjoyable experience that usually takes 30-60 minutes. The trail is moderate, with a plain slope, and it’s well-maintained, so you can even jog or cycle along the way. Beautiful blue pine and silver oak trees line the path’s sides, cooling off the heat and refreshing your mind.

There are also some lovely resting spots along the trail where you can picnic or take amazing photos. You’ll even catch beautiful views of Dechencholing. And this is also the end of your first day in Bhutan. 

You will return and stay at the hotel in Thimphu for the first night.

Day 02: Thimphu to Gangtey

• Altitude in Gangtey: 2,900m
• Distance: 160km
• Estimated travel time: 6hrs

Leaving Thimphu in the morning, we’ll journey through the central Bhutanese valleys of Gangtey (also known as Phobjikha). Gangtey is home to a goemba situated on the ridge of the valley. This area is famous for its breathtaking scenery and its role as a wildlife reserve. The region has a variety of landscapes and supports a diverse range of flora and fauna. One of the rare species found in this area is the black-necked crane, which migrates from the north to Gangtey during the winter months.

On the way, you will stop at the Dochula Pass (3,050m), one of Bhutan’s most stunning mountain passes. The pass is home to 108 Druk Wangyal Chortens, which were built to commemorate the soldiers who lost their lives in the battle against Indian rebels. The chortens were constructed by Ashi Dorji Wangmo Wangchuk, the eldest Queen Mother. You can enjoy a breathtaking panoramic view of the snow-laden Himalayas from the mountain pass.

After reaching Gangtey, you will first stop at Gangtey Goemba. Established as the only Nyingmapa monastery in the Black Mountain region in 1613, it remains the largest monastery in the western territory of Bhutan today. This remarkable building offers a stunning view of Gangtey Valley, surrounded by lush green farms, pristine forests, and towering mountains.

The last activity for today will be the Gangtey Nature Trail, which will allow you to explore the stunning landscape. The trail starts at a small peak above Gangtey Goemba and winds through beautiful meadows before descending to Semchubara hamlet. As you continue, you will enter a dense forest of blue pines, where you can observe the local wildlife and appreciate the wonders of nature.

You will stay overnight at the hotel in Gangtey.

Day 03: Gangtey to Trongsa

• Altitude in Trongsa: 2,200m 
• Distance: 80km 
• Estimated travel time: 2,5hrs 

On the third day of the tour, we will travel to Trongsa. Sitting on a mountaintop in central Bhutan, this town is often called the heart of this Himalayan kingdom. The name Trongsa means “new town” in Bhutanese. This area is of great historical importance, home to the largest dzong in Bhutan and numerous significant sites.

In Trongsa, you’ll check in at your hotel and have a break before heading to Ta Dzong. Initially built to protect Trongsa Dzong from rebelling, this building now serves as the National Museum of Bhutan. It houses a wide range of valuable treasures from the Wangchuck Dynasty, providing visitors with a fascinating glimpse into the country’s rich history. The museum’s collections include a variety of objects, such as ancient diamonds and sculptures of deities, all elegantly displayed for viewing.

Right beneath Ta Dzong is Trongsa Dzong, which overlooks the rushing Mangde Chhu River and is considered the most impressive dzong in Bhutan. Erected in 1644, its unique architecture stands out from a distance. The vast complex spans multiple levels and features a maze of courtyards, passageways, and corridors. You’d be surprised to know that there are 25 temples in Trongsa Dzong!

Afterward, you will return and stay overnight at the hotel in Trongsa.

Day 04: Trongsa sightseeing 

• Distance: 14,5 km
• Estimated time: 4-5hrs
• Ascent: 930m, Descent: 1,100m

The highlight today will be the Taphey Goemba monastery Hike. 

After breakfast, we will drive about 30 minutes to the North of Trongsa, above the Trongsa–Bumthang highway, approximately 15 km from Trongsa town, to start the hike at Dozhong village (Doshong village). 

The hike is a moderate trek covering 14.5 km with an elevation gain of 930m. The highest point reached is 3,410m.

The best time to do this hike is during the spring (January-May), when you can enjoy the rhododendron blooms, or in the autumn and winter (October-December), you’ll have stunning views of the Himalayan mountains. 

You will begin from Dozhong village at 3,070m altitude. Upon arrival, take a brief visit to Dozhong Goemba (also called Dorji Goemba). “Dozhong” means “stone tub,” referring to the bath used by the local female deity, Yulha Menmo Palden Dolma. The stone tub is located below the highway, approximately 700m from the monastery, and the menmo’s residence is about 500m away.

The temple adheres to the architectural style of a simple Bhutanese house, with simple woodwork and masonry. It has a small courtyard in front and a newly erected kitchen on the left. This temple is linked to Lopen Tsultrim Tharchin, born in Tsangkha village in Tangsibi Gewog, Trongsa. He became a chopon (one with authority over offerings). Tsultrim Tharchin also met with the 5th Zhabdrung Thuktrul Jigme Chogyal when Zhabdrung was travelling from Drametse to Punakha. They discussed religion, and Tsultrim Tharchin later offered the Zhabdrung a piece of sheepskin used for a mattress, now a relic at Punakha Dzong.

As you hike along the winding trail, experience the unspoiled natural beauty, vibrant rhododendrons, towering conifers, graceful spruces, and shimmering silver forests. Keep your eyes peeled for stunning birds like the elusive Himalayan Monal, the brilliant Blood Pheasant, and the magnificent Satyr Tragopans.

The path starts with a gentle ascent through lush rhododendron forests until reaching a rustic yak herders’ camp. Then, hike through a diverse array of mighty Himalayan trees, connecting to a picturesque ridge leading to the legendary Singaythang (Place of Lion) – where imposing rocks uncannily resemble a lion’s face, submerged when commanded by Bhutan’s formidable first king.

From Singaythang, marvel at the awe-inspiring views of Bemji, Dzongthang, Chela villages, the mighty Gangkhar Puensum (7,570m – highest in Bhutan and unclimbed), central Trongsa valley and Black Mountain (Durshingla).

Descend for another hour through pristine, idyllic natural landscapes to Taphey Goemba, built by Bhutan’s first king, around the 18th-century meditation site of Ngawang Tsamphel. Eight monks live at the drubdey (meditation retreat), whose main chapel houses a two-storey statue of the 1001-armed Chenresig.

From Taphey Goemba, continue descending to Yuling village, stopping at the historical temple of Willing village on the way.

The hike ends at Yuling village. You will spend some time exploring Yuling Monastery. It is a sacred site associated with Yongzin Ngagi Wangchuk (1517-1555), the great-grandfather of Zhabdrung Ngawang Namgyel. Yongzin Ngagi Wangchuk was from the Drukpa ruling family and travelled from Tibet to Bhutan. Guided by a vision of the guardian deity Palden Lhamo, he arrived in the Trongsa (Mangdu) region in 1541 and stayed in Yueling village. The main relics inside the monastery are said to be from Yongzin Ngagi Wangchuk’s time, while the clay statue of him and other relics were included by devotees later on.

You will stay overnight at the hotel in Trongsa.

Day 05: Trongsa Tschechu Festival

On the 5th day of the tour, you’ll attend the famous Trongsa Tshechu festival.

Watching and participating in a local festival is probably the best way to understand the people’s culture. Trongsa Tshechu is among the most significant and famous festivals in Bhutan.

The Trongsa Tshechu Festival is celebrated every year at Trongsa Dzong in December or January, between the 8th and 12th day of the 11th lunar calendar month. 

Below are the program and highlights of each festival day, but they might be subject to change. There are many dances throughout the festival, but we’ll only introduce some important performances.

8th day of 11th lunar month 

Chamju is the final rehearsal before the commencement of the Tshechu festival. 

The monk body, the head of dratshang (Lam Neten), and higher officials escort sacred relics to lhakhang in the morning at a particularly auspicious time. During the rehearsal, all mask dances are performed by two categories of performers: the monastic body and layman. 

The day ends with zhu-drel-phuensum-tshoogpa.

Day One: 9th day of 11th lunar month 

At 2 AM, a morning ritual will take place to eliminate the negative energy of the day. The local people will receive Dzongdag from higher officials and Lam Neten in the Dzong.

Day 1 will start with a dance performance by the local dancers. Lam Neten then advises the mask dancers and dancers to mark the start of the day. 

• Zhing She Pem Cham – Dance of the Goddess

This is the first dance of Day one, and will be performed during the morning ritual.

• Shinje Yap Yum Cham – Dance of Yamantaka Father and Mother
• Zhana Cham – Black Hat Dance
• Zhana Nga Cham – Black Hat Drum Dance

Poisonous and infectious afflictions can obstruct accomplishment in Buddhism. To overcome these obstacles, the Masters of the Vajrayana tradition use dance as a way of proclaiming victory over evil spirits. Thus, Zhana Nga Cham represents this process of good triumphing over evil. The sound of the drums represents religion and the subtle form of Buddha’s teachings. Zhana Nga Cham is typically performed during occasions where great works are planned, such as when the Glorious Zhabdrung Ngawang Namgyal consolidated the country. The dance helps to pacify the elements of earth, water, fire, and air, making them more conducive to supporting initiatives. During the performance, the dancers wear large black hats, felt boots, and colorful long brocade garments.

• Drametse Nga Cham – Drum Dance by Laymen

Drametse Nga Cham is the most popular mask dance performed throughout Bhutan during festivals held in honor of Guru Rinpoche. There are several versions of how the dance was first introduced. Still, it is commonly thought that the dance was first introduced by Khedrup Kuenga

Gyeltshen in Ogyen Thechog Choling monastery in the 16th century. (Many believe this sage to be a brother of Pema Lingpa’s granddaughter, Ani Choeten Zangmo, who settled in Drametse after naming the place.) 

It is believed that while he was on meditative retreat, through his intense powers of concentration, Khedrup Kuenga Gyeltshen was able to visit the celestial palace of Zangdog Pelri, where he witnessed the heavenly attendants of Guru Rinpoche transform themselves into one hundred wrathful and peaceful deities and perform a dance using drums and drumsticks. From this vision, Khedrup Kuenga Gyeltshen understood that Guru Rinpoche wanted him to use this medium of dance to help sentient beings defeat the cycle of birth and rebirth. He carefully noted down the choreography of the dance and introduced it in Drametse.

• Yulim Peling Ging Sum Cham – The Three Ging Dances of Pema Lingpa

The Peling Ging Sum Cham is a set of three sacred mask dances that were introduced by Pema Lingpa. It is believed that Pema Lingpa revealed these dances during his visit to Zangdo Pelri. These dances are considered a means of subduing evil spirits, known as nyulema, who obstruct the teachings of Buddha (Mantras and Sutras) that lead to ultimate happiness for all sentient beings in the three different worlds (Khamsum).

During his visit to Zangdog Pelri, Pema Lingpa witnessed how Guru Rinpoche miraculously subdued the evil spirits by performing the three Ging dances. This was the secret teaching that Pema Lingpa received from Guru Rinpoche. Therefore, the Peling Ging Sum Cham is considered extremely sacred, and those who witness it are said to accumulate much merit.

The three dances, Jug Ging (dance holding a stick), Dri Ging (dance holding a sword), and Nga Ging (dance holding a drum), are performed in a sequence. The Jug Ging dance is unique in its ability to perceive the evil activities and obstacles created by Nyulemas across all three worlds. The word “Jug” means baton or wand, and the Jug Ging use their wands to sense the direction where evil lies. With their psychic senses and supernatural powers, the Jug Ging capture the Nyulema, disarm them spiritually, and instill them with wisdom and compassion. This is the message conveyed by the Jug Ging dance.

The Dri Ging, who wield swords, use their weapons to defeat evil. They free the Nyulemas from their evil masters, purify their karma, and liberate them into celestial realms.

The third dance, Nga Ging, is performed by dancers who carry drums (nga) and celebrate their triumph over evil spirits. They beat their drums rapidly to signify their victory over these forces and to spread the teachings of Buddha. The purpose of this dance is to bring good luck and happiness to all beings by freeing them from suffering and leading them to the Buddha realm. Nga Ging is a highly revered treasure dance from treasure-revealer Pema Lingpa. It is believed that merely witnessing this dance during religious festivals can increase one’s merit and help repel evil influences. The dancers, who are bare-chested, wear cloud collars, knee-length skirts, and masks. They carry sticks in the first part of the dance, swords in the second part, and hand drums in the third part.

• Kel Cham
• Pholay Molay Cham – the Dance of Nobleman and Charming Lady

The Pholay Molay is a satirical mask dance rooted in the ancient lore of Ngaden Kingdom in northern India. It recounts the tale of the benevolent King Norzang and his 500 queens.

Among the queens was the beautiful Yidrogma, gifted to King Norzang by a hunter’s son after he received her from a serpent spirit. Yidrogma became the king’s beloved consort, arousing jealousy in the other 499 queens.

The envious queens plotted with the deceitful court priest Hari, who used dark magic to make the king’s father have an ominous dream. Hari manipulatively interpreted this vision as a prophecy that the kingdom faced invasion unless they preemptively went to war.

Heeding the false prophecy, the noble King Norzang was forced to depart for battle, leaving behind his treasured Yidrogma with his sacred scarf and ring as tokens of remembrance. In his absence, the malicious queens and traitorous priest attempted to bring harm to the defenseless Yidrogma. But being a celestial dakini, she transcended their wicked designs by magically taking flight to the heavens.

The dance vividly portrays these mythical events through the antics of traditional characters like the mischievous atsara clowns, a bickering elderly couple, and the king’s regal attendants. When the virtuous King Norzang returns triumphant from the invented war, he is joyfully reunited with the reappeared Yidrogma. The tale concludes with the king and his dakini consort able to live in divine happiness ever after.

• Shawa Sha Khe Chham – Dance of a Hunter Dog and a Deer

After the first day is finished, Dzongdag, higher officials, Lam Neten, and the mask dancers will have dinner together.

(End of day one)

Day Two: 10th day of 11th lunar month

The same morning ritual will be held to remove the negative energy of the day at 2 AM. Zhing She Pem Chham – Dance of the Goddess will be performed during the morning ritual.

• Durdag Cham – Dance of the Lords of the Cremation Grounds

Durthroe Dagmo Chezi Cham, also known as Durdag Cham or simply Durdag, is a dance that carries a special meaning. The performance symbolizes how a person who believes in religion and desires to spread its teachings can attain a higher state of life by following the white path with single-minded devotion. The lords of the cremation grounds take vows to protect the Dharma teaching and its practitioners. They guard the Mandalas of the Tantric Deities and protect them by rendering the evil forces powerless or destroying them. Any remaining spirits that are not destroyed are then offered to the higher deities.

During the Durdag Cham, four dancers wear short white skirts, white gloves, white boots, and white skull masks, creating a mesmerizing sight. Witnessing the cham can serve as a powerful reminder of the importance of believing in religion and practicing the Dharma. 

• Tumngam Kun Cham – Jaling (religious instrument) Cham

This dance will feature the use of a traditional Bhutanese music instrument called Jaling. Jaling is a highly decorated, trumpet-shaped reed instrument made of gilded copper. It produces an oboe-like sound and has six to seven holes, with a back hole for the thumb. To play it, the left hand is used to finger the lower notes, while the right hand is used to play the upper notes. Jaling is always played in pairs and can be played while standing or seated.

• Raksha Go Cham – Ox-headed dance introduced by Tertoen Karma Lingpa in the 14th century;
• Raksha Mangcham – The concluding dance of Raksha Go Chham joined by Champoen, Chamju

The Raksha Mangcham is an impressive dance form introduced by Tertoen Karma Lingpa. The dance is based on the Bardo Thoedrol (Book of the Dead), a text that was hidden by Guru Rinpoche in a cave and later rediscovered by Karma Lingpa in the 14th century. This dance is closely associated with the soul of a person after death. According to beliefs, when a person dies, his/her soul enters an intermediate state called bardo, which exists between death and rebirth. In that stage, the Buddha appears in numerous peaceful and wrathful forms to guide and liberate the confused soul to eternal peace. It is said that these appearances of the Buddha are recognized as one’s saviors by those who believed in the Triple Gem while living in the earthly world as human beings.

The whole dance is a powerful theatrical performance set in a court of justice. The Lord of Death takes on the supreme role of passing judgment based on one’s deeds, and the most trusted Raksha Lango, the Ox-headed dancer, acts as the Minister of Justice, following the principles of the cause and effect relationship of good and bad deeds with strict obedience. Other loyal dancers, including Phag Gochen, the Wild hog-headed dancer, Chung Gochen, the Garuda-headed dancer, Singye Gochen, the lion-headed dancer, Domgyi Gochen, the bear-headed dancer, Drulgyi Gochen, the snake-headed dancer, and Trelgyi Gochen, the monkey-headed dancer, also present at the court.

Upon closer observation, one can easily follow the dance of the intermediate state and witness the judgments passed by the Lord of Death on Digchen Nyalwabum, a sinner, and on Khimdag Palkyed, a virtuous householder.

• Atsara Gyap, Lha Karpo and Dre Nak Chung

After the day is finished, Dzongdag, higher officials, Lam Neten, and the mask dancers will have dinner together.

(End of day two).

Day Three: 11th day of 11th lunar month 

At 2 AM, the same morning ritual will take place, with a performance of Zhing She Pem Chham – Dance of the Goddess.

• Shazam Cham – The Stag Dance

The dance is a spiritual practice performed to remove negative energy and cleanse the area for spiritual purposes. It is known as the ‘liberation’ ritual and is a powerful practice in Vajrayāna Buddhism. The dance combines the compassion of Mahāyāna Buddhism to alleviate the suffering of all sentient beings with the methods of secret tantras to achieve this goal. The dance is performed by four dancers who don deer masks and hold swords.

• Guru Tshengay Cham – The Dance of Eight Manifestations of Guru Rinpoche

Guru Rinpoche is known for taking many forms to protect and benefit Tibet, Sikkim, and Bhutan. He appeared in various forms during the Guru Tshengye dance:

1. Guru Tshokye Dorji: When Guru Rinpoche was miraculously born from Lake Dhanakosha as the son of King Indra Bodhi, he came to be known by this name.
2. Guru Shakya Singye: When Guru Rinpoche left the palace to seek the path of Dharma in the cave of Maratika, he was known by this name.
3. Guru Loden Chogsed: He was known by this name when he had mastered all the instructions of the Sutras and Tantras in the sacred places of India.
4. Guru Pema Sambhava: When Guru Rinpoche took Lhacham Mendarava as his mystical consort, her father, the King of Zahor, became offended and set him on fire. However, the fire miraculously transformed into a lake of lotuses. As a result of this miraculous feat, Guru Rinpoche became known by this name.
5. Guru Pema Gyalpo: After returning to the domain of Ogyen, Guru Rinpoche and his parents were targeted for assassination by evil ministers. However, they were ultimately defeated and converted to Buddhism. As a result of this accomplishment, Guru Rinpoche was given his name.
6. Guru Nima Oezer: He had this name when Guru Rinpoche traveled through the eight great charnel grounds, including the legendary Sewa Tshal; he gave teachings to dakinis and tamed evil forces. 
7. Guru Singye Dradrog: Guru Rinpoche overcame opposition to the Dharma in Bodh Gaya and was known by this name due to his miraculous feats.
8. Guru Dorje Drolo: When Guru Rinpoche flew on the back of a tigress from Singye Dzong in Kurtoe to Tagtshang in Paro, concealing sacred objects and prevailing over evil forces, he was known by this name.

The guru (main form of guru) is then received by the officials in the middle of dance, and ends the chham. 

• Ging Tsholing Cham – The Dance Enacts Sacred War between The Gods and Demons

The Ging Tsholing Chham dance is a captivating and powerful combination of two dances—Ging Chham and Tsholing Chham. It dates back to the 15th century, when Pema Lingpa had a powerful vision of the dance and introduced it to the people.

According to legend, during the construction of the Samye monastery in Tibet, King Thrisong Detsen faced fierce opposition from evil spirits. However, Guru Rinpoche, who possessed supernatural powers, took the form of Ging to vanquish and subdue these spirits. The dance portrays Zangdo Pelri, the paradise of Guru Rinpoche, with enlightened sages of India and Tibet seated on his right and scholars on his left. The intermediate areas showcase the 108 treasure discoverers, his incarnations, and his 25 disciples, including King Thrisong Detsen.

Tsholing Chham is a potent dance performed by the Tsholings, who are regarded as fearsome deities responsible for safeguarding the religion. The dance begins with the vigorous annihilation of an effigy, which represents the evil spirits, contained within a black box. After this, the Tsholing dancers, dressed in long and colorful costumes and wearing intimidating masks, are driven away by the Ging dancers.

The inner dance Ging Tsholing, which is known as the Ging dance, is performed by a group of spiritual heroes, deities, and dakinis in their peaceful and wrathful forms. The Ging dancers, wearing masks with a flag on top and dressed in imitation tiger skins, celebrate their victory over evil by beating their drums in a triumphal dance. This dance symbolizes the resolute triumph of good over evil.

• • Acho Phento and Shawa Sha Khe Cham – Dance of Hunter and Deer

• Atsara (religious clown) Ritual

Atsara (clown) is an enlightened spiritual master who has already renounced material wealth and is trying to enlighten sentient beings through jokes and humor. 

Ordinary people view Atsara as a comedian who performs during tshechus. At these events, he appears among mask dancers wearing a funny mask and usually holding a phallus and a rattle to entertain the audience. 

However, the word “Atsara” originally came from the Sanskrit term “achāriya”, which is a title given to a great spiritual teacher. These teachers can claim their place among the 84 Mahasiddhas, representing all those who have attained direct realization of the Buddha’s teachings within one lifetime. The Atsaras’ appearance as clowns represents our ignorance, which prevents us from seeing the ultimate truth. Thus, the senior Atsaras are regarded as the embodiment of guardian deities and sublime beings. 

During gatherings such as tshechu, all the dignitaries, including spiritual masters and monks, ministers, secretaries, merchants, and the laity, give the Atsaras money as a mark of their appreciation. In return, the Atsaras offer auspicious narrations in the form of concluding words, which is a unique aspect of Bhutanese culture.

• Shawa Sha Khe Cham – Ending Dance of Hunter and Deer;

The Dzongdag, along with higher officials, the Lam Neten, and the mask dancers, will be having dinner together.

(End of day three).

The Four: 12th day of 11th lunar month 

On the final day of the Tshechu, the officials and Lam Neten will receive the Thongdrel and the statue of Zhabdrung in the Dzong. The Thongdrel later will be displayed to the public. This act’s meaning is to give good luck to everyone who sees it. 

Zhung She Pem Chham will be performed following the Thongdrel display.

• Zhu Drel Phuensum Tshogpa by Dratshang (monastic body)
• Pa Cham – Dance of the Heroes

Pa Cham is a peaceful dance that was introduced in the 15th century by Tertoen Pema Lingpa. Legend has it that Pema Lingpa had a mystical experience where he traveled to Zangdog Pelri, the copper-colored mountain, and saw Guru Rinpoche seated in the center of a beautiful mandala of rainbows. Guru Rinpoche was surrounded by an assembly of sages, heroes, heroines, tutelary deities, and dakas and dakinis (spiritual, non-human beings). They were dancing in the forms of emanations of peaceful and terrifying deities and singing harmoniously together. Pema Lingpa then introduced the Pa Cham dance to lead those who witnessed it into the presence of Guru Rinpoche.

Pa Cham is performed for the benefit of sentient beings. Unlike other traditional dances that use masks, the dancers in Pa Cham don’t wear any masks. Instead, they wear five-pointed crowns on their heads, with yellow knee-length skirts and golden. Each of the five faces of the crowns represents one of the five meditational Buddha families of tantric Buddhism. The dancers represent long-haired dakinis, and long strands of black thread hang below their crowns. They perform the dance barefoot while carrying a small bell and a small drum.

• Chhog Zhay – Dance by Layman
• Tashi Lebay is the traditional concluding dance, performed to mark the end of the day and the successful completion of Tshechu.

Once the Tshechu is complete, the Thongdrel and Zhabdrung statue will be returned to the Lhakhang. 

Day 06: Trongsa sightseeing

After a hearty breakfast, we will travel to the sacred Nabji Lhakhang (2,156m). The road from Trongsa town to the temple is 120 km and takes around 3-4 hours driving, as it is small and narrow.

Nabji Lhakhang is located in Nabji village, standing regally in the middle of a field surrounded by a wall. Nabji village itself is situated in a vast, verdant valley that seems like a natural concave circular mandala. To reach the historic temple, drive till the end of the road at Nabji Primary School. From the school, hike uphill for half an hour to arrive at the sacred Nabji grounds.

The history of Nabji dates back to Guru Rinpoche’s first visit to Bhutan. It is said that Guru Rinpoche persuaded King Nawoche of Assam, India, to accompany him to the Bhutanese border to make peace with King Sindhu Raja of Bumthang. The two kings were constantly feuding, especially over border issues. 

At the border, Guru Rinpoche reconciled the quarreling kings, giving them teachings and making them take an oath on a stone pillar (Nado) to live harmoniously without encroaching on each other’s lands. This place became known as Nabji, meaning ‘the open ground of oath’, in the southern Mangdechhu valley. Guru Rinpoche also blessed Nabji as a Beyul (hidden land), concealing many treasures.

Later, Khandro Tashi Khyidren, daughter of King Sindhu Raja, sought to build a temple at this Guru Rinpoche-blessed site. However, demons nightly destroyed the construction. Khandro prayed for Guru Rinpoche’s help and saw him by facing the cliff, where Guru Rinpoche is supposed to have concealed numerous spiritual treasures. To distract the evil forces, he performed a sacred naked dance (tercham), shapeshifting between human and animal forms, allowing Khandro to complete the temple unhindered.

The temple was then named Nabji Lhakhang. It was consecrated by Terton Dorje Lingpa in the 13th century and extended by the patron Tashi Wangdi from Bumthang in the 19th century.

Nabji Lhakhang only has one storey, which was built following traditional Bhutanese. It is enclosed by a wall, with a tree near the entrance believed to be Guru Rinpoche’s walking staff. The front wall bears paintings of Dorje Lingpa, Pema Lingpa and their lineage holders, Chagzampa Thangtong Gyalpo and GreenTara, by the Tibetan artist Lhalung Choki Wangchuk.

Statues of the Four Guardian Kings adorn the exterior chapel walls by the entrance. Inside, artworks depict the Eight Manifestations of Guru Rinpoche, Zhabdrung Ngawang Namgyel, Kagyu masters Marpa and Milarepa, and the Three Long Life Deities.

The central relic is a stone pillar in the right corner bearing the handprints of Kings Sindhu and Nawoche alongside Guru Rinpoche’s – a symbolic pact with sword markings as witness. 

Other sacred items housed here include a statue of Guru Rinpoche, a box holding local protective deity souls, a rock bearing Dorje Lingpa’s footprints alongside his horse’s, Khandro Tashi Khyidren’s fingerprints on a stone, and two rocks representing the Dakinis’ Body and Speech with a pillar for their Mind – the graffiti thought to be symbolic Dakini script.

You will stay overnight at a local house in Nabji village.

Day 07: Discover Trongsa

After breakfast, we will walk to Korphu Village, the farthest village in Trongsa district. It will take 1.5 hours hiking from Nabji village to reach Korphu village.

The name ‘Korphu’ is derived from ‘gour’ meaning stone, and ‘pho’ meaning cave – literally translating to “stone cave.” Korphu village is the farthest gewog in Trongsa Dzongkhag, falling under Jigme Singye Wangchuck National Park. The gewog is connected only by farm roads. Korphu village sits atop a mountain at an altitude of 1,500m. The trail leading to the village is quite spectacular, offering wonderful views of the surrounding valleys.

The village Korphu is believed to have been founded by Guru Rinpoche, the Second Buddha himself. Legends recount that when Guru Rinpoche reconciled the initially feuding Gyab Sindu Raja and Nachoe (Big Nose), they signed a pact on a stone still present in Nabji. Great treasures were also discovered in the late 15th century by Terton Pema Lingpa in this village.

At Korphu village, you will visit the revered Korphu Lhakhang. The Lhakhang, known as “Lhundup Choedhar,” stands majestically atop a hill overlooking the scenic Nabji valley below. Some say that the temple was constructed in the 15th century, after being prophesied by the great tertoen (treasure discoverer) Pema Lingpa.

You will have time to walk around Korphu Lhakhang. This two-story traditional Bhutanese structure graces a hilltop overlooking the picturesque Nabji valley. According to oral history, the temple’s origins date back to the 15th century when it was erected after being foretold by the famous treasure discoverer Pema Lingpa.

The precious relics housed within Korphu Lhakhang include the sacred Transcendental Wisdom scripture spanning 8,000 stanzas, Pema Lingpa’s personal hats (ugyen pezha) and girdle, and statues of Guru Rinpoche, Buddha Shakyamuni, Avalokiteshvara (Chenrezig), the famed Thangtong Gyalpo, and the legendary Gesar of Ling.

After visiting, hike back to Nabji village in the afternoon, and we will return to Trongsa town.

You will spend the night at a hotel in Trongsa.

Day 08: Trongsa to Punakha

• Distance: 150km 
• Estimated travel time: 5hrs 
• Altitude in Punakha: 1,300m 

Your next stop, Punakha, is one of the most impressive destinations in Bhutan. It is home to many unique attractions. Before Thimphu became the new capital in 1952, Punakha used to be the capital.  

When arriving at Punakha, take a short break before heading to Punakha Dzong (the Palace of Great Happiness). This magnificent structure was established in 1637 by Ngawang Namgyal, the first Zhabdrung Rinpoche, and is located at the confluence of the Po and Mo rivers. The dzong is the second-oldest in the country and has six floors, including a central tower (or utse) and beautiful green surroundings.

Next, you will come across the Pho Chhu Suspension Bridge, which is located near the Punakha Dzong. At 160 meters long, it is Bhutan’s longest suspension bridge. As you walk across the bridge, you can enjoy the tranquil scenery of Punakha Dzong, beautiful valleys, and villages.

After walking through rice fields and pine trees for about an hour, you will reach Khamsum Yuelley Namgyal Chorten. This magnificent building is located on a ridge above the valley at an altitude of 1500m. The chorten boasts a unique structure reflecting Bhutan’s beautiful traditions and architecture. Its golden spire and labyrinthine wall patterns are unlike anything you will see at other chortens. What’s more, the chorten’s location on the crest offers a breathtaking view of Punakha Valley. Take a moment to enjoy the view!

You will stay overnight at the hotel in Punakha.

Day 09: Punakha to Paro

• Distance: 125km
• Estimated travel time: 4hrs

The 9th day will be time for us to return to where your adventure began – Paro. 

This charming town is situated on the banks of the Paro (or Pa) Chhu River and boasts some of the oldest monasteries and temples in the world. Its rich history dates back to the 7th century, and it is brimming with myths and folklore.

You will first tour the Paro Rinpung Dzong (Fortress of the Heap of Jewels) is praised as the finest example of Bhutanese architecture. The grand complex comprises courtyards, temples, offices, and an accommodating area. No matter where you are in Paro, you will always see the towering white walls of the dzong. This is where the famous Paro Tshechu is held every year.

Then, proceed to the National Museum of Bhutan, or Ta Dzong. Initially, it served as a watchtower during the war, but later was transformed into the National Museum. The collections on display here are among the most impressive in the country and include Bhutan’s thangkas, festival masks for Tshechu dances, textiles, weapons, armor, and much more.

After that, you will embark on a 3km hike, which takes about an hour, along the forested hillside from the National Museum to reach Zuri Dzong. The hike has an elevation range of 2,400m to 2,560m, with an ascent of 160m and a descent of 160m. Zuri Dzong is one of the oldest dzongs, dating back to 1352, and houses the valley’s local protector. The premises also house a cave where Buddha is believed to have meditated in the 8th century. Enjoy a breathtaking panoramic view of the lovely valley from the fortress.

The last visit will be to Kyichu Lhakhang, one of the 108 temples constructed in the Himalayas. Legend has it that the Tibetan King Songtsen Gampo built these monuments in only one day to capture the demon tigress attempting to stop Buddhism’s spread in the Himalayas. In the 8th century, Guru Padmasambhava also visited the historic temple. Kyichu Lhakhang is among the most spectacular temples in the kingdom.

You will stay overnight at the hotel in Paro.

Day 10: Paro sightseeing 

Today, you will hike for 4-5 hours to get to the sacred Chumphu Ney. It is one of Bhutan’s top pilgrimage walks for those seeking an immersive experience in untainted nature. The Ney is located in Paro at 3,100 meters above sea level.

Chumphu Ney holds great significance as the second holiest Tsari, after Tsari Rongkor, which was the first tsari in Tibet. His Holiness, the ninth Je Khenpo Shakya Rinchen, discovered the Chumphu Ney. Guru Rinpoche is said to have returned here and meditated for two transformative months after his fabled visit to Paro Taktsang Monastery (Tiger’s Nest) on the back of a tigress.

You will reach the hike’s starting point after a 1-hour drive from Paro town. The nature trail runs alongside a babbling river and takes you through ancient, mystical forests. You’ll be able to admire the vibrant beauty of wildflowers, serene lakes, towering trees, and lush plant life. The soothing sounds of nature – the murmur of the brook, the melodic bird calls, the rustling leaves – will create a peaceful atmosphere to rejuvenate the mind and body.

The hike begins by passing between two enormous rock formations on either side of the path; these are believed to be the first symbolic “doors of liberation.” Two more such doors are on the trail: one at the halfway point and the other near the temple. According to legend, passing through all three doors liberates one from the three realms of suffering.

The first stop is the exquisite Sabu Lhakhang, a stunning 16th-century temple. As you ascend, you’ll see the “gate to heaven,” Guru Rinpoche’s weathered throne, his robe imprint etched into rock, a stone vase containing the revered holy water of long life, and imprints of Dakinis.

After about two hours, a majestic side valley opens to the left, revealing the striking Chumphu Monastery perched high above. A winding kora path branches left, ascending via steep steps, ladders, ledges, meditation caves, and natural stone pools to finally reach the temple. Here, visitors can view the imprint of Guru Rinpoche’s skull, a site of great spiritual significance where receiving blessings by touching one’s head is customary.

Finally, you will arrive at the incredible Chumphu Monastery. It sits majestically atop a lush hill, encircled by three crown-shaped mountains. An aerial view depicts the monastery built in the middle, forming the heart of an imaginary figure of a female deity wearing an ornate crown.

The monastery’s most precious relic is the inexplicable floating statue of Dorji Phagmo (Vajravarahi) that appears to defy gravity. Legend says that Dorje Phagmo flew here and transformed into this statue. The statue was reportedly found by Terton Drukdra Dorji in the lake above the monastery, and is believed to have miraculously grown from a smaller size to its present larger form.

Some sacred wonders of Chumphu Monastery to admire include: the floating statue of Dorji Phagmo (Vajravarahi); caves where Guru Rinpoche and his consorts, dakinis, and legendary scholars were believed to have meditated; the gate to heaven; and Guru Rinpoche’s throne.

After you finish discovering the monastery’s wonders, descend on the same route and then return to Paro town.

You will stay overnight at the hotel in Paro.

Day 11: Paro sightseeing

In the morning, you will hike to the iconic Taktsang Monastery, famously known as Tiger’s Nest – one of Bhutan’s holiest sites. The monastery dramatically clings to a sheer 900-meter cliff overlooking the lush Paro Valley. Brace yourself for a moderate 3-hour uphill hike, and you will be rewarded with gorgeous views of the verdant valley and towering Himalayan peaks along the way.

According to legend, Guru Rinpoche flew here on the back of a tigress, meditating in a cave before emerging in eight incarnated forms – giving rise to the monastery’s name, “Tiger’s Nest.”

Upon reaching the sacred complex, marvel at its unique architecture unlike anything you’ve witnessed – four massive temples crowned with golden roofs, eight symbolic tunnels, and residential quarters intricately built into the cliff face.

After the hike, enjoy an immersive cultural experience. In the late afternoon, attend a cooking class to learn the art of preparing classic dishes like Ema Datshi, red rice, Jasha Maru, and Phaksha Paa. Then experience warm Bhutanese hospitality as you dine with a local family at their farmhouse for an authentic taste of the cuisine.

Cap off this culturally enriching day by partaking in the traditional hot stone bath experience. As locals have done for ages, unwind by soaking in herb-infused, mineral-rich warm waters – an ancient practice beneficial for health and rejuvenation.

The iconic Taktsang monastery marks the final stop of your spiritually and culturally immersive journey through Bhutan.

You will spend the night at the hotel in Paro.

Day 12: Depart Paro

It is time to say farewell to Paro and the lovely country of Bhutan. We hope that, with the assistance of our guide and driver, you have had a great trip. We hope to welcome you back to our country. Tashi Delek!